Concerto For Piano And Orchestra (In C-sharp Minor)


  1. Jukazahn

    Piano Concerto in C sharp minor, Op composer. Amy Beach () The first, Allegro [moderato], is serious in character, piano and orchestra vying with each other in the development of the two principal themes, of which the second is songlike in character. There is a richly worked out cadenza for the solo instrument near the close of.
  2. Daimi

    Composed in /3, Rimsky-Korsakov’s Piano Concerto was the last of a series of works written in the very happy middle period of his life; other compositions of this period, rich in charming lyricism, included the opera The Snow Maiden and the orchestral Szakza (‘Fairy Tale’).
  3. Gut

    Get this from a library! Chopin piano classics: Concerto for piano & orchestra no. 1, Fantasie Impromptu no. 4 in C sharp minor, & Three Polonaises.. [Frédéric Chopin].
  4. Murn

    2-piano scores: Additional Physical Format: Online version: Rimsky-Korsakov, Nikolay, Concerto in C sharp minor, opus 30, for piano and orchestra. New York City: International Music Co., [] (OCoLC) Document Type: Musical Score: All Authors / .
  5. Gardagrel

    This study examines Amy Beach's only concerto, the Concerto for Piano and Orchestra in C-sharp Minor, Op. The four-movement, late Romantic work for virtuoso pianist and large orchestra is a significant contribution to the genre, containing well-developed and contrasting themes, interesting and innovative harmonies, and exciting virtuosic ncidconscommnasali.tetanecastrighdoggflamamipspirnetftread.infoinfo: Katrina Carlson Rushing.
  6. Tugis

    Beethoven, Ludwig van Concerto for Pianoforte and Orchestra no. 3 C minor op. 37 Beethoven’s Piano Concerto No. 3 is the only concerto where no authentic manuscript exists for the solo part. The autograph of the score is availabl.
  7. Douramar

    Listen to Chopin: Concerto For Piano And Orchestra No. 2 In F Minor, Op. 21 (Arr. By Mikhail Pletnev) - 3. Allegro vivace on TIDAL.
  8. Moshakar

    25 rows · The piano is not treated as an individual protagonist against the orchestra, but as a part of .

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